Redbeard7
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The term is religious in tone, echoing the conquest of a mountain, entering the majestic kingdom of Valhalla and the ascension of Christ. It equates consensual sex to a divine event, marking elevation from the terrestrial to the celestial. It implies that virginity and aromanticism are fallen states, equivalent to purgatory or hell, with sexual initiation transforming the male from a lower to higher being: subhuman to human, boy to man, man to God.
The much-maligned woman is the gatekeeper, judge and jailer in this passion play: both the source of man's damnation and, potentially, his redemption after years or decades of suffering, a priestess whose flesh absolves sin.
Within this nihilistic and materialistic philosophical framework, mutually desired heterosexual sex = heaven. Ascension is felt to be an embodied refutation of fatalistic biological nihilism, the omnipresent whisper in the core of our being that it's over and in fact never even began.
Insofar as it's metaphysical, it is a Pagan inversion of traditional Christian ethics: sex and desire are divine, celibacy and repression, evil. It's also a deeply romantic concept: paid sex isn't considered ascension, only being freely desired counts. It's proof that you are real: not just in the eyes of the world but in the arms of one who could have chosen anyone else.
It is a variant of the hero's journey, although again an inversion of the classical concept. Sex is not temptation to be avoided or the reward after the journey: it is the journey's destination. The woman's willing embrace is not a test or a trap but The Promised Land, The Holy Grail, Destiny. In this erotic apotheosis, the warrior-incel joins the Pantheon of Heroes, re-connecting him to the primordial chain of being.
Ascension isn't primarily about external validation: it's an ontological transformation, the fulfilment of a long-denied birthright, a spiritual resurrection. A rebirth not just in the eyes of others but in the mirror of one's own soul; crossing the veil from unloved to loved, the silencing of doubt, a cataclysmic event which obliterates the line between reality and ultimate fantasy.
The symbolic feminine, simultaneously feared, hated, worshipped and craved, is no longer a projection or a void. She is present, embodied and with you. No longer myth or metaphor but breath, skin, salvation...
The much-maligned woman is the gatekeeper, judge and jailer in this passion play: both the source of man's damnation and, potentially, his redemption after years or decades of suffering, a priestess whose flesh absolves sin.
Within this nihilistic and materialistic philosophical framework, mutually desired heterosexual sex = heaven. Ascension is felt to be an embodied refutation of fatalistic biological nihilism, the omnipresent whisper in the core of our being that it's over and in fact never even began.
Insofar as it's metaphysical, it is a Pagan inversion of traditional Christian ethics: sex and desire are divine, celibacy and repression, evil. It's also a deeply romantic concept: paid sex isn't considered ascension, only being freely desired counts. It's proof that you are real: not just in the eyes of the world but in the arms of one who could have chosen anyone else.
It is a variant of the hero's journey, although again an inversion of the classical concept. Sex is not temptation to be avoided or the reward after the journey: it is the journey's destination. The woman's willing embrace is not a test or a trap but The Promised Land, The Holy Grail, Destiny. In this erotic apotheosis, the warrior-incel joins the Pantheon of Heroes, re-connecting him to the primordial chain of being.
Ascension isn't primarily about external validation: it's an ontological transformation, the fulfilment of a long-denied birthright, a spiritual resurrection. A rebirth not just in the eyes of others but in the mirror of one's own soul; crossing the veil from unloved to loved, the silencing of doubt, a cataclysmic event which obliterates the line between reality and ultimate fantasy.
The symbolic feminine, simultaneously feared, hated, worshipped and craved, is no longer a projection or a void. She is present, embodied and with you. No longer myth or metaphor but breath, skin, salvation...
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