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Nu-Male, New Directions

  • Thread starter Deleted member 2798
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Deleted member 2798

Deleted member 2798

free him or cuck
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Joined
Jan 13, 2018
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2,884
In this thread, I'd like to have collected some of the gayest, most transparently opportunistic attempts to make a buck off of ephemeral identity culture. Bonus "selfless" points for A L L I E S rather than the O P P R E S S E D themselves.

This album was released today:

https://hooktube.com/watch?v=si2pZRifgIo

On wokeness:

https://hooktube.com/watch?v=-tOu-frEhBA

@Ritalincel
@lonelyistheworld
@Lindys
@IntolerantSocialist
 
soybeans need to be banned
 
Oh boy, I love shitting on modern hipster noise rock/post punk bands. I'll give this a listen later.
 
I have no idea who they are. its what drove me away from indie to begin with. and I say this as a guy who started with basic metal bands like Slayer, Metallica, Pantera, then into hardcore punk, etc. back into the arms of metal. the whole Beat Happening crew started this crap and I'm gonna end it. I always saw myself as an outsider in terms of noise/alternative/metal/punk/industrial art.

I was talking to a friend about this, this is what I had to say:

a lot of people have criticized me for making music that's "insensitive" I see it like this: a lot of artists who (as far back as possibly the mid 70s, during the rise of punk) take on irony in a big way, what happens when irony becomes the norm that its seen as the truth? I think Goebbels said something about that. sort of related to Hegalianism in a way, either thru repetition of a message or calls/responses between two artists creating a synthesis of ideas to the point where there's no sacred cows left to slaughter. the message becomes so diluted nobody knows whether you're joking or not, creating a paradox.
Seth Putnam first pioneered that shit.
although I sympathize with black metal more because its "anti-scene"

black metal is very isolationist too, I must add and often tells the press to fuck off. something the indie/college rock scene of the 80s, aside from a few bands, never got the message. too much oversocialization, too much of being a "do-gooder", basically being too nice to people and trying to "make a statement". that kind of thinking led to a reaction in the scene in the form of bands like No Trend and GG Allin and The Murder Junkies, NON/Boyd Rice, Mr. Bungle, etc. bands who saw how absurd the music insiders were and openly mocked them for being "nice guys", which later second wave black metal and bands like Anal Cunt came in.
like Bordiga echoed from his grave "FUCKING OPPORTUNISTS!!"
 
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Punk is so cucked nowadays.
 
When I walk the college campuses or even go outside, I notice a lot of the chads have EXTREMELY effeminate, high pitched and forced-soft voices these days (they sound gay as fuck, but there are so many and sometimes I see them get romantic w/ foids, so they are just doing it for cultural reasons). It's that or extreme over the top tryhard low voices.

Like society has been divided into two extremes. Extreme bluepill and extreme red pill. Both can get laid. If you're not on either side of the nightmare, you cannot get anything. Women are the enforcers of culture, and they enforce through abuse and doling out sex.
 
Punk is so cucked nowadays.

Imagine if Incel-Tiers wrote music reviews:

Screen Shot 2018 09 23 at 105428 PM


Apparently that's a foid - 20 bucks says it's a dyke or a tranny.

When I walk the college campuses or even go outside, I notice a lot of the chads have EXTREMELY effeminate, high pitched and forced-soft voices these days (they sound gay as fuck, but there are so many and sometimes I see them get romantic w/ foids, so they are just doing it for cultural reasons). It's that or extreme over the top tryhard low voices.

Like society has been divided into two extremes. Extreme bluepill and extreme red pill. Both can get laid. If you're not on either side of the nightmare, you cannot get anything. Women are the enforcers of culture, and they enforce through abuse and doling out sex.

Observations, as always, line up perfectly with mine. College campuses are packed with fags of all stripes: as you note it's either "duh huh yuh bruh" frat Chads artificially lowering the pitch of their voice or twink fucks replete with lisping and vocal fry. Both types seem to get way more action than they have any right to - the former probably mop up during estrus, after which the foids fall back into cyclically steady LTRs with the latter.

You're very right to note the polarization. Everything related to foids increasingly takes the form of "either Chad, cuck, or incel".

I watched one of your PUA videos and I think I recognize the city you're in by the storefronts and signage. I've been there several times (was thinking about living there for a while) and from what I saw and what I've heard it's absolutely packed with soyboys.

I have no idea who they are. its what drove me away from indie to begin with. and I say this as a guy who started with basic metal bands like Slayer, Metallica, Pantera, then into hardcore punk, etc. back into the arms of metal. the whole Beat Happening crew started this crap and I'm gonna end it. I always saw myself as an outsider in terms of noise/alternative/metal/punk/industrial art.

I was talking to a friend about this, this is what I had to say:

a lot of people have criticized me for making music that's "insensitive" I see it like this: a lot of artists who (as far back as possibly the mid 70s, during the rise of punk) take on irony in a big way, what happens when irony becomes the norm that its seen as the truth? I think Goebbels said something about that. sort of related to Hegalianism in a way, either thru repetition of a message or calls/responses between two artists creating a synthesis of ideas to the point where there's no sacred cows left to slaughter. the message becomes so diluted nobody knows whether you're joking or not, creating a paradox.
Seth Putnam first pioneered that shit.
although I sympathize with black metal more because its "anti-scene"

black metal is very isolationist too, I must add and often tells the press to fuck off. something the indie/college rock scene of the 80s, aside from a few bands, never got the message. too much oversocialization, too much of being a "do-gooder", basically being too nice to people and trying to "make a statement". that kind of thinking led to a reaction in the scene in the form of bands like No Trend and GG Allin and The Murder Junkies, NON/Boyd Rice, Mr. Bungle, etc. bands who saw how absurd the music insiders were and openly mocked them for being "nice guys", which later second wave black metal and bands like Anal Cunt came in.
like Bordiga echoed from his grave "FUCKING OPPORTUNISTS!!"

I had the same development pretty much. Listened to OSDM and Goregrind during middle school and freshman year of high school and, by being a trend-hating elitist, ruined what probably would have been a few good chances to get under a scene cunt's skirt. After that I picked up on AmRep-style Noise Rock like Cows, Hammerhead, etc. then into older stuff like The Birthday Party, The Fall, Butthole Surfers, then into Post-Punk like Gang of Four, Wire, This Heat, then by senior year cosmopolitan eclecticism from Pärson Sound to Fela Kuti to Autechre to Pharaoh Sanders. With each step, I became increasingly atomized and divorced from the conditions that had shaped me (in parallel with taking musical advice from people, I was unconsciously imbibing the political as well) - concurrently, shitlib truisms were being ramped up in the frequency of their deployment (2012 onward). Being trapped under this form of consensus, I stumbled through the first two years of college dead inside before waking up gradually, starting around my 20th birthday. Knowing the smugness with which these people advance their small-souled and estrogenic humanism, I have nothing but undying contempt for the modern "punk" (punk is right, if these Antifags end up in prison) scene and hope to see these people with their illusions shattered like a $15 mug of IPA falling to the ground.

Black Metal is good, especially the dissonant stuff that mostly seems to come out of France/Poland (Drottnar from Norway were forerunners to this approach, though). Metal has turned into a playground for nufags too, though. You can't get away from this shit anymore. I remember when Antifa were protesting Incantation/Marduk/Graveland shows and getting support from metalsoys.
 
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Punk has been dead since the 90s lad
 
Punk has been dead since the 90s lad

Depends on what you mean.

As a vital and genuinely confrontational movement? Dead since the early 80s. Good stuff crops up once in a while though.


(Craig Clouse has been active since the 90s, though - was in Crown Roast, then touring guitarist in Hammerhead's final days)



(2/3 of Hammerhead (90s), but going strong as of a few years ago

(kind of a godheadSilo clone, but very pleasing to the ears)
 
That's for cucks. Listen to this. Wouldn't be released nowadays
 
Listening to this song and watching the clips of war and unpleasant but traditionally masculine stuff they put in the background really gets your noggin joggin.
Do nu-males seriously think the world would suddenly become a better place if all men decided to hold hands, sing kumbuya, drink soylent and fuck eachother in the arse? It's like nothing unpleasant in this world appeared for a reason lmao
 
Imagine if Incel-Tiers wrote music reviews:

View attachment 45015

Apparently that's a foid - 20 bucks says it's a dyke or a tranny.



Observations, as always, line up perfectly with mine. College campuses are packed with fags of all stripes: as you note it's either "duh huh yuh bruh" frat Chads artificially lowering the pitch of their voice or twink fucks replete with lisping and vocal fry. Both types seem to get way more action than they have any right to - the former probably mop up during estrus, after which the foids fall back into cyclically steady LTRs with the latter.

You're very right to note the polarization. Everything related to foids increasingly takes the form of "either Chad, cuck, or incel".

I watched one of your PUA videos and I think I recognize the city you're in by the storefronts and signage. I've been there several times (was thinking about living there for a while) and from what I saw and what I've heard it's absolutely packed with soyboys.



I had the same development pretty much. Listened to OSDM and Goregrind during middle school and freshman year of high school and, by being a trend-hating elitist, ruined what probably would have been a few good chances to get under a scene cunt's skirt. After that I picked up on AmRep-style Noise Rock like Cows, Hammerhead, etc. then into older stuff like The Birthday Party, The Fall, Butthole Surfers, then into Post-Punk like Gang of Four, Wire, This Heat, then by senior year cosmopolitan eclecticism from Pärson Sound to Fela Kuti to Autechre to Pharaoh Sanders. With each step, I became increasingly atomized and divorced from the conditions that had shaped me (in parallel with taking musical advice from people, I was unconsciously imbibing the political as well) - concurrently, shitlib truisms were being ramped up in the frequency of their deployment (2012 onward). Being trapped under this form of consensus, I stumbled through the first two years of college dead inside before waking up gradually, starting around my 20th birthday. Knowing the smugness with which these people advance their small-souled and estrogenic humanism, I have nothing but undying contempt for the modern "punk" (punk is right, if these Antifags end up in prison) scene and hope to see these people with their illusions shattered like a $15 mug of IPA falling to the ground.

Black Metal is good, especially the dissonant stuff that mostly seems to come out of France/Poland (Drottnar from Norway were forerunners to this approach, though). Metal has turned into a playground for nufags too, though. You can't get away from this shit anymore. I remember when Antifa were protesting Incantation/Marduk/Graveland shows and getting support from metalsoys.

oh I heard about that last one, getting shows cancelled and shit, I did manage to see Marduk at the Alrosa Villa (YES THAT ALROSA VILLA) a few years ago. Weapon opened. Weapon broke up shortly after and the singer disavowed metal. the lead singer was also a huge dick to me, big surprise. didn't really talk to Marduk much. Graveland is probably banned from playing here in the states (not sure, great band though, although its mostly Rob Darken's solo project). I did have a similar trajectory to you, with industrial and harsh noise coming in and out of my ears, during the early 2000s soulseek era it was all BSDM and goregrind for me, with me eventually embracing OSDM.

btw:



I never saw Incantation but Immolation played Peabody's before it closed and they were awesome. I even got a shirt and talked with Bob Vigna. he resembles my dad nowadays.
@Ledgemund even power electronics and harsh noise is upping the soy.
 
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