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Blackpill An Analogy of Mortality from Tolstoy

Jmax

Jmax

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An excerpt from Tolstoy's Confession:
There is an old Eastern fable about a traveler who was taken by surprise in the steppes by a raging wild beast. Trying to save himself from the beast, the traveler jumps into a dried-up well; but at the bottom of the well he sees a dragon with its jaws open wide, waiting to devour him. The unhappy man does not dare climb out for fear of being killed by the wild beast, and he does not dare jump to the bottom of the well for fear of being devoured by the dragon. So he grabs hold of a branch of a wild bush growing in the crevices of the well and clings to it. His arms grow weak, and he feels that soon he must fall prey to the death that awaits him on either side. Yet he still holds on, and while he is clinging to the branch he looks up to see two mice, one black and one white, evenly working their way around the branch of the bush he is hanging from, gnawing on it. Soon the bush will give way and break off, and he will fall into the jaws of the dragon. The traveler sees this and knows that he will surely die. But while he is still hanging there he looks around and sees some drops of honey on the leaves of the bush, and he stretches out his tongue and licks them. Thus I cling to the branch of life, knowing that inevitably the dragon of death is waiting, ready to tear me to pieces; and I cannot understand why this torment has befallen me. I try to suck the honey that once consoled me, but the honey is no longer sweet. Day and night the black mouse and the white mouse gnaw at the branch to which I cling. I clearly see the dragon, and the honey has lost all its sweetness. I see only the inescapable dragon and the mice, and I cannot turn my eyes from them. This is no fairy tale but truth, irrefutable and understood by all.
The former delusion of the happiness of life that had concealed from me the horror of the dragon no longer deceives me. No matter how much I tell myself that I cannot understand the meaning of life, that I should live without thinking about it, I cannot do this because I have done it for too long already. Now I cannot help seeing the days and nights rushing toward me and leading me to death. I see only this, and this alone is truth. Everything else is a lie. The two drops of honey which more than anything else had diverted my eyes from the cruel truth were my love for my family and my writing, which I referred to as art; yet this honey had lost its sweetness for me. "My family ," I said to myself. But my family, my wife and children, are people too. They are subject to the same conditions as I: they must either live in the lie or face the terrible truth. Why should they live? Why should I love them? Why care for them, bring them up, and watch over them? So that they can sink into the despair that eats away at me, or to turn them over to stupidity? If I love them, then I cannot hide the truth from them. Every step they take in knowledge leads them to this truth. And the truth is death.
 
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That’s very good writing tbh. I was never a fan of these poets, writers, and such, but the way he uses imagery to depict the situation makes it very relatable, even though just the impending march of death part itself is already relatable. This just made me appreciate people who use poetic devices, cause this was really effective use of it that even someone like me can appreciate.
 
When the inescapability of death is made clear enough, despair overrides all reason to live

Humans must continually suppress their awareness of mortality in order to cope with life; even if it means lying to themselves and to others every single day. Otherwise they will end up in the same emotional state as the traveller in OP story
 
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I never knew Tolstoy ever wrote anything remotely like this in outlook, tone, urgency.

Thank you for this.
 

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