T
That’s just weird no thanks anime girls are not for me
View: https://twitter.com/ackermuni/status/1485305498543214592
View: https://twitter.com/summerjayl/status/1485326885278334976
View: https://twitter.com/tainted_H/status/1485281776561963011
View: https://twitter.com/panos_expu/status/1485547673902067719
@erenyeager you are the luckiest man on earth
How?...
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I'd rather fuck Micasa
Komi san or mikasa?@happiless = bhai
Good question
I'm gonna have to say Komi for LTR/marriage, Mikasa for FWB on the side
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View: https://twitter.com/ackermuni/status/1485305498543214592
View: https://twitter.com/summerjayl/status/1485326885278334976
View: https://twitter.com/tainted_H/status/1485281776561963011
View: https://twitter.com/panos_expu/status/1485547673902067719
@erenyeager you are the luckiest man on earth
How?...
For some reason I just now got a notif for this reply and didn’t until now
I am the luckiest man on earth this is the greatest post of all timrFor some reason I just now got a notif for this reply and didn’t until now
habI love her sm bros
I
Misaka might look cute, but Mikasa is better, if it were Worst instead of Misaka, or Fren / Da, it would be way harder to decide
jewnime characters
Mikasa would scream Eren 24/7
Because she was 10
You have to look like Eren
Most cels here are
Imagine not thinking mikasa is the paragon of foidhood
Excluding his stellar shot composition, Isayama's artwork was always rough around the edges. But for those first three seasons, Tetsuro Araki’s heart-stopping visual direction and irreplaceable cinematic instinct unquestionably made the anime adaptation what it ultimately was. The talented artists and creative geniuses at WIT and Production IG—animation powerhouses—brought the masterclass story and world to life in the truest sense possible, utilizing the unfathomably high-quality production to continue reifying the majesty within the heart of the imagery. And this disturbing realism is one of the many things which made it so universally alluring in the first place.
The fact that the whole chronicle (barring season 4, ofc) was rendered with such lifelike and exhilarating urgency, with such tremendous music, and with such invigorating thematic presentation is exactly what distinguished it from archetypical weebshit goyslop and pandering light novel/moeshit fluff like the show it's being likened to in this thread.
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Power>>>>>>>>Trash>>>>>Mikasa
Imagine not thinking mikasa is the paragon of foidhood
Excluding his stellar shot composition, Isayama's artwork was always rough around the edges. But for those first three seasons, Tetsuro Araki’s heart-stopping visual direction and irreplaceable cinematic instinct unquestionably made the anime adaptation what it ultimately was. The talented artists and creative geniuses at WIT and Production IG—animation powerhouses—brought the story and world to life in the truest sense possible, utilizing the unfathomably high-quality production to continue reifying the majesty within the heart of the imagery. And this disturbing realism is one of the many things which made it so universally alluring in the first place.
The fact that the whole chronicle (barring season 4, ofc) was rendered with such spectacularly lifelike urgency, with such tremendous music, and with such invigorating thematic presentation is exactly what distinguished it from archetypical weebshit goyslop and pandering light novel/moeshit fluff like the show it's being likened to in this thread.
Imagine not thinking mikasa is the paragon of foidhood
Excluding his stellar shot composition, Isayama's artwork was always rough around the edges. But for those first three seasons, Tetsuro Araki’s heart-stopping visual direction and irreplaceable cinematic instinct unquestionably made the anime adaptation what it ultimately was. The talented artists and creative geniuses at WIT and Production IG—animation powerhouses—brought the masterclass story and world to life in the truest sense possible, utilizing the unfathomably high-quality production to continue reifying the majesty within the heart of the imagery. And this disturbing realism is one of the many things which made it so universally alluring in the first place.
The fact that the whole chronicle (barring season 4, ofc) was rendered with such spectacularly lifelike urgency, with such tremendous music, and with such invigorating thematic presentation is exactly what distinguished it from archetypical weebshit goyslop and pandering light novel/moeshit fluff like the show it's being likened to in this thread.
I want to cuck the tallfag eren so I choose mikasa
You’re a cucklo for Mikasa
Imagine not thinking mikasa is the paragon of foidhood
Excluding his stellar shot composition, Isayama's artwork was always rough around the edges. But for those first three seasons, Tetsuro Araki’s heart-stopping visual direction and irreplaceable cinematic instinct unquestionably made the anime adaptation what it ultimately was. The talented artists and creative geniuses at WIT and Production IG—animation powerhouses—brought the masterclass story and world to life in the truest sense possible, utilizing the unfathomably high-quality production to continue reifying the majesty within the heart of the imagery. And this disturbing realism is one of the many things which made it so universally alluring in the first place.
The fact that the whole chronicle (barring season 4, ofc) was rendered with such spectacularly lifelike urgency, with such tremendous music, and with such invigorating thematic presentation is exactly what distinguished it from archetypical weebshit goyslop and pandering light novel/moeshit fluff like the show it's being likened to in this thread.
L
jojokasa is best casa
We all knew you were retarded but this is a new low. Your waifu doesn’t even fucking flush or clean herself
You’re a cucklo for Mikasa
mab
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Imagine not thinking mikasa is the paragon of foidhood
Excluding his stellar shot composition, Isayama's artwork was always rough around the edges. But for those first three seasons, Tetsuro Araki’s heart-stopping visual direction and irreplaceable cinematic instinct unquestionably made the anime adaptation what it ultimately was. The talented artists and creative geniuses at WIT and Production IG—animation powerhouses—brought the masterclass story and world to life in the truest sense possible, utilizing the unfathomably high-quality production to continue reifying the majesty within the heart of the imagery. And this disturbing realism is one of the many things which made it so universally alluring in the first place.
The fact that the whole chronicle (barring season 4, ofc) was rendered with such spectacularly lifelike urgency, with such tremendous music, and with such invigorating thematic presentation is exactly what distinguished it from archetypical weebshit goyslop and pandering light novel/moeshit fluff like the show it's being likened to in this thread.
I like jazz, I like Slipknot, but if Slipknot is gonna do jazz it better be for a damn good reason because I was led to believe I would always get a certain kind of music from Slipknot and nothing else.
That's why the same guy who likes Casca might have a problem with Mankasa. Something "promised" was taken away.
To that one might argue "Nothing is promised. What led you to believe Mikasa would never get muscles?" To that others might respond "MAYBE DORA THE EXPLORER GROWS A DICK SOMEDAY I SHOULDN'T HAVE TO EXPLAIN TO YOU WHY THIS IS A JARRING CHANGE KEEP YOUR FUCKING TRANNY CHARACTER IF YOU LOVE HER SO MUCH BUT FUCK YOU FOR MAKING ME BELIEVE AND THEN TAKING THIS AWAY FROM ME"
You got brutally raped by Mikasa
Cope. Cascafags would only be inclined to like tomboy Mikasa more, if anything. I can understand if one doesn't find current Mikasa physically appealing because most men don't prefer short hair or athletic foids and such, but there's no reason to have any issues with her original form because she was already perfect as she was
You got brutally raped by Mikasa
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Cope. Cascafags would only be inclined to like tomboy Mikasa more, if anything. I can understand if one doesn't find current Mikasa physically appealing because most men don't prefer short hair or athletic foids and such, but there's no reason to have any issues with her original form because she was already perfect as she was
Mikasa's original form wasn't muscular, right?
mikasa is ugly as shit jfl. she was only hot in the first episode
Because she was 10
Her original form was a loli
fucking niggerHer original form was a loli
I'd fuck any asian foid, give her a little hapa
Despite this mean spirited thread you made about me:
I would've been willing to edit your username out if you had simply asked
thanks for tagging me. Why do you always masstag and then edit the adds out?
Imagine not thinking mikasa is the paragon of foidhood
Excluding his stellar shot composition, Isayama's artwork was always rough around the edges. But for those first three seasons, Tetsuro Araki’s heart-stopping visual direction and irreplaceable cinematic instinct unquestionably made the anime adaptation what it ultimately was. The talented artists and creative geniuses at WIT and Production IG—animation powerhouses—brought the masterclass story and world to life in the truest sense possible, utilizing the unfathomably high-quality production to continue reifying the majesty within the heart of the imagery. And this disturbing realism is one of the many things which made it so universally alluring in the first place.
The fact that the whole chronicle (barring season 4, ofc) was rendered with such lifelike and exhilarating urgency, with such tremendous music, and with such invigorating thematic presentation is exactly what distinguished it from archetypical weebshit goyslop and pandering light novel/moeshit fluff like the show it's being likened to in this thread.
fucking nigger!
because he's black
Misaka would also cut down on your electricity bill
Np bhai
but why mab
Because it's a very easy yet powerful forum hack that provides my cold, joyless life with a quick kek, if only for a fleeting moment. I also do it because I want people on this dead cesspool of a forum to be aware of and contribute to posts or threads that I think are funny or important
XD
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this is what should happen to all mass taggers (in terrifier 3)Np bhai
but why mab
Because it's a very easy yet powerful tool that provides my cold, joyless life with a quick kek, if only for a fleeting moment. I also do it because I want people on this dead cesspool of a forum to be aware of and contribute to posts or threads that I think are funny or important
XD
She's hot but, has no personality. But if i had to choose between her and the index girl i would choose 1000%, i don't get the love for misaka other than her being a dere, which is not new.I love her sm bros
I also would like to add that my eternal love and devotion goes to my kween:
Gay
Why not both
Her original form was a loli
So for her to go from extremely feminine to somewhat masculine, I might feel like I was robbed of something right?
doesn't ring a bell maybe I'll tell diff later
I
Mikasa is trash girl from trash anime.
I don't know misaka.
I am meguminsexual.
I don't know misaka.
I am meguminsexual.
>says mikasa has no personality
>is a makimafag
lol, lmao even. Also jfl at using a pic from CRAPPA’s shitty, ugly, and utterly soulless adaptation
As someone who prefers timid, meek foids but can also appreciate a sporty tomboy (given that they're both cute), her metamorphosis is the best of both worlds for a nigga like me. Of course, I'm only referring to anime foids since they're the only ones who are worth being described in such a way, as they were created and designed by incels for incels
I'd recommend that you learn how to indulge in different strains of waifus; it'll make your copes a lot more gratifying
Yaz, at the very least they both suck. But it's not like i'm gonna defend makima, i'm just a dog. woof. I was also a mikasa fan before, dunno why i don't like her anymore.
It was not a bad animation, nor it was ugly. It was just that the pacing was weird, not even bad. Just weird.
Abused dog cope
I know this is the greatest anime ever made, the most mind-blowing masterpiece to ever be produced within the borders of the Japanese archipelago, a work of overflowing artistic profundity to change the course of mankind even more dramatically than the conquest of fire and the splitting of the atom combined, but I’m going to make this one snappy, because—Uh, oh.—I actually enjoyed this shit.
Chainsaw Man looks like it was animated by a super passionate, hard-working, unimaginably stupid group of Korean/Chinese twenty-year-olds who religiously devoted themselves to and genuinely loved the manga with all their hearts; who MAPPA contacted, interviewed, and hired all via Pre-Musk Twitter; who don’t necessarily see the necessity in terribly concerning themselves with the current or future status of Taiwanese independence, human rights in Hong Kong, and who always seem to stumble in the awkward and arduous process of recalling the particular existence of the state of East Turkestan; and who all grew up on a steady diet of Starbucks, K-Pop, and incalculable amounts of cosplay, fan-art, Twitch livestreams, and Disney’s 2020, “Mulan.” Young professionals who’ve never heard of names like Shichiro Kobayashi or Yoshifumi Kondou, but who think Makoto Shinkai—the man who ten fat, juicy, American dollars says introduced these people to anime in the first place with Your Name, a film they consider to have made August of 2016 monumentally more important than August of 1945—and Hayao Miyazaki are the greatest film directors to ever grace the planet Earth, while Kinoko Nasu and Hideo Kojima are literally more intellectually stimulatory and historically influential than the prophet fucking Muhammad or that one poor bastard the Jews allegedly nailed to a cross that one time, only for his ass to up and get resurrected three days fucking later.
THAT’S who animated this show, and I won’t lie, the parts that do look good, look like good fan-animations (as lovingly described above) but the parts that don’t? Well, I’m afraid those look exactly like what they are: printouts from whatever sweatshop MAPPA rented out this week—surely on the cheap. I wrote that after having seen none of the actual anime, and just the OP, when MAPPA first posted it to their YouTube Channel, and yet, as I actually watched through the show itself, I realized it all remained completely accurate, and none of it needed to be changed. It’s just a hard pill to swallow when half the people inside the Chainsaw Man fanbase have been acting like this upcoming anime would be a God-given masterpiece and change anime as we know it. Imagine all the hyped-up animeonlys who went into this with absurd expectations, only to get met with the cold, hard reality once they saw MAPPA’s terrible CG combined with horrid colors and bland direction. Meanwhile, cynical old bitch SingleH here saw the director worked on Attack on Titan: The Final Season, saw the trailer being preanimated AND outsourced in parts to other studios, and lost all hope for a quality adaptation instantly. Did my lowered expectations turn around and help in allowing me to enjoy it? Certainly. But that doesn’t make me any less pissed at MAPPA smothering everything in fourteen layers of digital vaseline. Though, I will say in fairness, that is kind of what they’re trying to imitate. They see Violet Evergarden and Makoto Shinkai movies getting nominated for a bunch of Oscars, getting recognized by the fucking Academy and shit, and they just go:
>Oi! Photography-san, what the FORK are u doing?
>What do you mean, Producer-san?
>Look at this!
>What about it?
>Copy this. Look good and win award, yes?
>But I don't know how.
>Shaddap! Copy this or lose job!
>...
The result is the MAPPA Filter™. Soulless plastic, with zero style and ufotable-levels of post-processing, aftereffects, etc. I’m serious, imagine this show directed by Tatsuya Oishi and produced with the Kizumonogatari art style at SHAFT, and I fucking dare you to not have an orgasm.
“No! Delays mean more time, more effort. We want this shit out ASAP so it's as much of a dumpster fire as possible. SnK will be over soon; I need more coping teenagers making clowns out of themselves online, and CSM looks like my best bet at getting a whole new batch. Based CRAPPA” -some anon, circa Feb, 2022
At the end of the day, Chainsaw Man is saved and sustained by its personality. Yes, I know, there’s zero visual style and the direction is hardly present in any positive fashion, but the series as a work of literature is just so weird, interesting, and fucking goofy. The characters as introduced by the OP are simply brilliant, and I would consider anyone who could consider themselves in significant disagreement with anything written in this paragraph to be a deeply pessimistic, un-fun individual. The protagonist, Denji, is just such a weird dweeby little idiot. A mafia rat who falls for blatantly manipulative women before he even learns their fucking name, and who embarrassingly fantasizes all day, on his leash right in front of her. I used to have a friend back in school named Clay, and whenever we would get on Xbox to play Minecraft together, he’d always wear this ridiculous fucking “Fidget” orange cat skin, and this motherfucker was funny as shit. Like, you don’t understand. His voice, his shit-eating grin, the way he would deliver punch lines, everything about him—just a born comedian. And hearing his fucking voice coming out of that fucking skin was the funniest shit on Earth. Denji reminds me of a less-intentional, more-ditzy and retarded version of Clay wearing that skin. Then there’s Power, the even weirder, even dweebier little idiot. Power reminds me of this psycho chick Helena. Aki reminds me of this fucking villain Santiago. Kobeni reminds me of this lovable dork Jackson. Angel reminds me of my bestie Deisi. Himeno reminds me of…well…my-fucking-self. Like, to an uncomfortable degree. Point is, these characters don’t remind me of characters. They’re SO fucking well-realized and carefully, intricately, emotionally imagined by the original author, that they remind me of actual, real, flesh-and-blood people I’ve known throughout my real life.
This is an anime about a motherfucker with a chainsaw that comes out of his fucking face. I don’t know about you, ladies and germs, but that’s some fucking personality right there. If I were to go and grab any random douchebag off the street, sit them down, and show them a motherfucker with a chainsaw coming out of his fucking face fighting a whole entire fucking CRAB in the middle of the streets of Tokyo, they’re going to remember that shit for a minute, because, to say the absolute least, it’s hella unique. It’s simple, personality. I fucking hate myself for saying what I’m about to say, let alone how pathetically honest it’s going to be, but frankly, it did not take me as long as it should’ve to get over the plastic MAPPA aesthetic and just start loving the show outright, because it’s fucking stupid, weird, fast, and fun. I’m over here laughing at jokes, getting excited by fights, being impressed with certain bits of animation, getting invested in shit, mourning dead characters, drinking. There was this one scene where a girl who likes some other guy is coming on to a guy who likes some other girl, and she asks if he wants to fuck so they can momentarily forget about the people they actually want to be with, and I was just losing my fucking mind at the maturity and bleak fucking relatablility of everything happening on screen. Then, as I’m reeling, thinking there’s no way it can get better, he says no, because he’d rather do it first with the girl he truly loves. She then says, “You know what? I respect that.” She gets off, and they decided to be friends, and help each other get with the ones truly in their hearts, and at this point I’m giddy as a schoolgirl. I have a friend on here who really wanted me to rip this show apart, but I really am going to have to let him down. Like, I won’t name you by name because I don’t want the superfans coming after you, but dude, I’m seriously sorry. Straight up. I’m sorry for being such a whore, but this Tatsuki Fujimoto guy really found my G-spot with this one, and I have zero excuses to offer you. I mean, who knew a Japanese mangaka could be such a stud?!
It’s 4:49am here in Dallas, and the date is Tuesday, December 27th. The final episode is coming out in just a few hours, and I’m drinking Ghost, Tropical Mango, the first energy drink I’ve ever had in my life, and assuming this doesn’t form some unholy combination with the traces of alcohol still circulating through my blood stream and stop my heart, I’ll be posting this review as soon as credits roll and time permits. So, here’s the deal. Chainsaw Man doesn’t have consistent animation; it doesn’t have enough veteran voice actors or appropriate casting; it doesn’t have a competent producer; it doesn’t have a particularly decent staff; it doesn’t not have shitty CG; it doesn’t have enough competently hand-drawn sequences; it doesn’t not have traced 3D models; it doesn’t have a vibrant art style; it doesn’t have enough sexual undertones; it doesn’t have any soul in its visual direction; it doesn’t have consistent backgrounds; it doesn’t not have plastic, lifeless, soulless cinematography and color design so bad I swear it should be prosecuted internationally alongside the Russian war criminals raping their way through Ukraine; and looking at it, you’re often pained by how poorly adapted it was, and how special it could’ve been in the hands of SHAFT, WIT, Production IG, even Sunrise. However, Kensuke Ushio got the music. There’s a lot of visceral, sick, gory, metal, rank shit, and I really fucking enjoyed watching it. The ED collection is one of the most impressive I’ve ever seen, while the OP is filled with enough references that I of all people actually got, and viewing this through that lens makes my fondness for this personality it all has seem a lot less surprising. Like, the No Country For Old Men one? I noticed that on my first viewing, and I was like, “AHH! DEAKINS, MY LOVE!” Then we got all these fucking gangsters in their suits and slacks, bombin’ around like a cadre of Reservoir Dogs. Gosh, the manga must’ve really, truly been something. I suppose all we can do now is enjoy what we got, dubious of a task as that sometimes is, and wish, dream of a parallel world line where it was given to a studio with actual blood flowing though their veins. Because THAT, to use the words of the people, would’ve perhaps finally captured that ever-elusive, fan-favorite phrase, everyone’s lovingly, stupidly described, “peak fiction.”
Instead, we got CG zombies twelve minutes in…
So take your pick, dumpster divers. We’re making a killing tonight, one way or the fucking other.
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