wizardcel
Lolicon, anti aoc advocate and sexual marxist.
★★★★★
- Joined
- Feb 15, 2018
- Posts
- 3,994
A lot of his movies involves his character's quest in trying to rescue a foid from herself. Even though his movies had a great deal of interesting social critique; for this reason alone they were much better than the crap we have today which pukes feminism and faggotry at the audience at a never-ending interval, they were still bluepilled to the core.
I think City Light's is one of his most famous movies. It's pretty much bluepilled, but the end is a brutal blackpill. Chaplin's character falls in love with a blind girl. He spends the entire movie trying to get the money which will pay for her eye surgery, he eventually succeeds. She uses the money which he raised ( or robbed, I don't remember) to pay for her surgery. She fell in love with him, although she had never seen him.
He disappears from her life after her surgery. In the end, he meets her again at a street corner. She tries to sell him a flower, but when she sees that he's homeless she offers him a penny instead, he refuses, he walks away, and she goes after him. When she places the coin in his hand, that's when she recognizes the familiarity. It finally kicks in; she realizes that the guy who helped to get her eyesight back was a mere hobo.
Her facial expression doesn't betray any happiness with the realization that that vagabond is her benefactor. She looks at him with pity and disappointment. He's happy for her, but she will never love him the way he deserves to be loved. It's a brutal scene; it shows female nature in its most vile form. Women will use you when it's convenient, but they will throw you away without a second thought.
I think City Light's is one of his most famous movies. It's pretty much bluepilled, but the end is a brutal blackpill. Chaplin's character falls in love with a blind girl. He spends the entire movie trying to get the money which will pay for her eye surgery, he eventually succeeds. She uses the money which he raised ( or robbed, I don't remember) to pay for her surgery. She fell in love with him, although she had never seen him.
He disappears from her life after her surgery. In the end, he meets her again at a street corner. She tries to sell him a flower, but when she sees that he's homeless she offers him a penny instead, he refuses, he walks away, and she goes after him. When she places the coin in his hand, that's when she recognizes the familiarity. It finally kicks in; she realizes that the guy who helped to get her eyesight back was a mere hobo.
Her facial expression doesn't betray any happiness with the realization that that vagabond is her benefactor. She looks at him with pity and disappointment. He's happy for her, but she will never love him the way he deserves to be loved. It's a brutal scene; it shows female nature in its most vile form. Women will use you when it's convenient, but they will throw you away without a second thought.