Mayocel
Apostle of the Grey Pill
★★★★★
- Joined
- Jan 20, 2023
- Posts
- 900
Introducing Past Lives: A movie that is both so cucked and blackpilled, it is physically painful to watch.
So we have a Korean guy having oneitis towards a girl that moves to U.S. in her childhood. Classic love story.
He manages to contact her, basically confesses to her, then she drops him due to muh career, and fucks and marries a White guy for a greencard(literally, I'm not joking).
The cucked part is that the Korean beta is a Korean GigaChang
while the "white" guy is a shlubby Jew.
The central theme of the movie is Fate in a Korean interpretation Buddhism, e.g. if you marry, it means you met 8000 times in past lives. It felt forced.
The rest of the movie is just the Korean guy crying to his oneitis and the viewer getting bashed over the head with "wow this is such a deconstruction, she ended up with a ugly jew instead of her childhood love!!"
I don't know how to rate it. On one hand, this is different from the usual Hollywood slop, but as someone who sees almost a 100 of international movies a year it seems pretentious.
You can tell it was a directorial debut, the Korean guy Teo Yoo is a terrific actor, but everything else feels lacking.
So we have a Korean guy having oneitis towards a girl that moves to U.S. in her childhood. Classic love story.
He manages to contact her, basically confesses to her, then she drops him due to muh career, and fucks and marries a White guy for a greencard(literally, I'm not joking).
The cucked part is that the Korean beta is a Korean GigaChang
while the "white" guy is a shlubby Jew.
The central theme of the movie is Fate in a Korean interpretation Buddhism, e.g. if you marry, it means you met 8000 times in past lives. It felt forced.
The rest of the movie is just the Korean guy crying to his oneitis and the viewer getting bashed over the head with "wow this is such a deconstruction, she ended up with a ugly jew instead of her childhood love!!"
I don't know how to rate it. On one hand, this is different from the usual Hollywood slop, but as someone who sees almost a 100 of international movies a year it seems pretentious.
You can tell it was a directorial debut, the Korean guy Teo Yoo is a terrific actor, but everything else feels lacking.
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