In french speaking countries the mainstream music industry seems keen on producing man hating hits regularly although it's no conspiracy of any kind, simply a reflection of what women want to sing and listen to, especially the white and urban type. Yesterday i had to endure this at the supermarket :
View: https://youtu.be/Ag3E7mJeRYI?feature=shared
Essentially she sings about coming to liking women and disliking men existentially, romantically... holistically, while giving no other reason for this state of affairs other than men supposedly being despicable troglodytes, in accordance with the most corny, ridiculous, caricatural feministic clichés. But it gives insight into women's psychology.
Look at the first line, why does she reserve the humanization of men for her family members ? The vast majority of men is polite and peaceful, not differing from her brothers and her father. It's a typical manifestation of women's gender-hostile attitude, this constant chip on their shoulder and going out of their way to arbitrarily decide which man is "one of the good ones" which pretty much just means guilty of being a man until proven innocent; foids would do well to acknwoledge that they're no better than the patriarchy they detest, they are worse : this same patriarchy elevated women in the private sphere and even in the public sphere (although in a symbolic way) meanwhile women have only shown hostility and contempt to men since their liberation and continue to do so — constant cultural manifestations such as this song prove it.
This seemingly irremediable attitude perfectly explains women being barred from entering positions of authority, being educated in a certain type of way or the legal guardianship men used to have over them : the living proof that is the modern whore absolves men from any kind of historical guilt and we should LOVE the idea of going back to the past, and admire our forefathers for treating women the exact way they should be treated, but i digress.
I'm sure the "guy friend" she sings about in the next lines never existed because this foid singer is from Paris/Neuilly-sur-Seine (insanely rich neighborhood with a faggy european sociological profile for men), so there's no such men in her vicinity nor in her social circles. The juxtaposition with concrete male presence in her life (her family) lets slip that the "guy friend" is just an abstract figure there to be shat on, but what is he, as an abstraction that leads to effective, full-fledged lesbianism, if not the personification of manhood and therefore of men themselves ?
So yeah, when hearing this song i know that under the feministic pseudo-moral, pseudo-humoristic, pseudo individually-empowering and pseudo-egalitarian veneer (a web of lies shared by most women and redditors), it's undertones are actually criminalizing, ridiculing, degrading, and that in relation to women at least, it seals my fate as either an undignified work shovel or some type of performer : a high status man, a rich man, an extremely attractive men... because there's no other way to be truly humanized by women that have layers upon layers of disdain for me.
It might seem anecdotal but if you read between the lines this shitty song perfectly summarizes post-patriarchal gender dynamics where "equality" is actually emasculation and inferiorization at every turn.
View: https://youtu.be/Ag3E7mJeRYI?feature=shared
Essentially she sings about coming to liking women and disliking men existentially, romantically... holistically, while giving no other reason for this state of affairs other than men supposedly being despicable troglodytes, in accordance with the most corny, ridiculous, caricatural feministic clichés. But it gives insight into women's psychology.
Look at the first line, why does she reserve the humanization of men for her family members ? The vast majority of men is polite and peaceful, not differing from her brothers and her father. It's a typical manifestation of women's gender-hostile attitude, this constant chip on their shoulder and going out of their way to arbitrarily decide which man is "one of the good ones" which pretty much just means guilty of being a man until proven innocent; foids would do well to acknwoledge that they're no better than the patriarchy they detest, they are worse : this same patriarchy elevated women in the private sphere and even in the public sphere (although in a symbolic way) meanwhile women have only shown hostility and contempt to men since their liberation and continue to do so — constant cultural manifestations such as this song prove it.
This seemingly irremediable attitude perfectly explains women being barred from entering positions of authority, being educated in a certain type of way or the legal guardianship men used to have over them : the living proof that is the modern whore absolves men from any kind of historical guilt and we should LOVE the idea of going back to the past, and admire our forefathers for treating women the exact way they should be treated, but i digress.
I'm sure the "guy friend" she sings about in the next lines never existed because this foid singer is from Paris/Neuilly-sur-Seine (insanely rich neighborhood with a faggy european sociological profile for men), so there's no such men in her vicinity nor in her social circles. The juxtaposition with concrete male presence in her life (her family) lets slip that the "guy friend" is just an abstract figure there to be shat on, but what is he, as an abstraction that leads to effective, full-fledged lesbianism, if not the personification of manhood and therefore of men themselves ?
So yeah, when hearing this song i know that under the feministic pseudo-moral, pseudo-humoristic, pseudo individually-empowering and pseudo-egalitarian veneer (a web of lies shared by most women and redditors), it's undertones are actually criminalizing, ridiculing, degrading, and that in relation to women at least, it seals my fate as either an undignified work shovel or some type of performer : a high status man, a rich man, an extremely attractive men... because there's no other way to be truly humanized by women that have layers upon layers of disdain for me.
It might seem anecdotal but if you read between the lines this shitty song perfectly summarizes post-patriarchal gender dynamics where "equality" is actually emasculation and inferiorization at every turn.
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