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What did dugin mean here?

chudjak

chudjak

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"The liberal subconscious of modern man carries its own judgment, its own negation, its own death. On the extreme edge of the dark energies of the soul of modern man lives a terrible creature -a "magical fascist", a ghost that has acquired flesh, a character of the Marquis de Sade who broke into your apartment... Orwell's "1984" has a very important place that testifies to a rather deep understanding of the laws of human psychology: in the last and most terrible torture chamber, where the hero falls, something happens to him,
what he has feared most throughout his life, in dreams, reveries, disturbing visions. The rats begin to gnaw at his face. If modern society, or more broadly, modern humanity, is terribly afraid of the "fascist," and if this figure corresponds to a certain deepest layer of the "collective unconscious," then such a "fascist" is bound to appear. Of course, not in the form of a political movement similar to the Italian or German precedent. Historical fascism and Nazism had almost nothing in common with the "psychic fascism" that is the internal, psychic threat to humanity now. The new "fascism" will arise by a different logic and under different laws. Most likely, it will be much more terrible than the previous one, because it will be qualitatively different. It will emerge not as an escape from liberalism (which the previous versions of fascism attempted), but as a punishment for liberalism, and it will be born not outside but inside liberal society. As the last point of its history, as its natural end. But since humanity, in fact, has now identified its fate with "humanism" and "liberalism," there is every reason to believe that this will be the end of humanity at the same time.

"Fascist" is an internal concept. Whoever fails to understand the necessity of taking on the full extent of the nightmare inherent in the inner world of de Sade's heroes, whoever fails to accept the tragic and savage mission of the "sadist", will inevitably become a "fascist".

"victimized." In this genre, laws are very cruel, just as liberal reforms and their results are cruel in practice. Of course, in the most radical liberals, one can already discern many "fascist" and "sadistic" traits. But compared to the true "sadists", these are only the first steps of a "humanist" kindergarten. It is unlikely that liberals themselves will find the strength to move toward the ideal of Saint Fon, Maldoror, or Superman. Their humanism remains too "warm" (neither hot nor cold) for that. Consequently, they will become "victims".

And if so, fascism will come to them in the role of executioner. No, it is not at nationalist rallies and congresses, not among criminal authorities, that we will see the real "psychofascists," the formidable heroes of the modern subconscious. On the other side of collectivist ideologies and banal criminality, at the midnight hour, they put on their dark masks, arm themselves with sharp knives and leather whips, and quietly glide through the dark streets in search of a victim. They appear suddenly and unexpectedly, like black, nocturnal ghosts triggered by our ongoing terror, our psychosis. They are anonymous and innumerable. They torment and torment us in long postperestroika dreams. They are slowly moving towards power - but not political, limited and compromise power. To absolute power, based on the total domination of the "sadist" over the cowardly and trembling mass of doomed victims, the "anti-fascists".

Fascists are not evil or violent per se. Their violence is quiet and cold, almost ritualistic. We ourselves, through our fear, through our involvement in the liberal norms of modern solitude, provoke their secret nocturnal visitation. A quiet visit without any threats or political demands. "Every nut wants to be cracked." The "fascist", a terrible character of the decline of liberal civilization, who now finds his formidable physical birth.

All those who believed in "human dignity" and "human freedom" in a secularized world without Tradition and morality will pay the bill. For themselves and for their predecessors.

The Nazis are in town. They're everywhere. They're in us.

Their razors are razor sharp. They will not refuse the opportunity "sovereignty", but we will pay them for its burden and its tragedy. The fascists will come. They will. And they will begin their torture, and they will not leave until they read in our eyes the first signs of understanding of the reality we are in, and what we should be doing in it. If our eyes remain as they are now, the formidable ghosts of the civilizational half of the night will be relieved of their responsibility for the sad outcome.

Sooner or later, the naive mankind's brazen belief in a "good end" will be disproved by the sad and terrible epilogue of the "futility of virtue".

Do you remember what happened to Justine in the end?"


Anyone understand what he is saying here? Most of it confuses me :feelstastyman:
 
Ask Cuck GPT
Chinese panda panda
 
Chatgpt wouldn't understand a single sentence tbh
Those who know:

Dugin's passage is a dense and layered critique of liberal modernity, human psychology, and the potential emergence of a new, internal form of "fascism." Here's a breakdown of his key ideas:


  1. Liberalism's Internal Contradictions:
    • Dugin suggests that liberalism carries within itself the seeds of its own destruction. It denies deeper metaphysical or traditional anchors, and in doing so, creates a vacuum in the human soul. This vacuum breeds its antithesis—a "magical fascist"—an entity or archetype lurking in the collective unconscious.
  2. The Fascist as a Punishment:
    • Unlike historical fascism, which arose in opposition to liberalism, this new "psychic fascism" is seen as a punishment for liberalism. It is not external but internal, emerging from the psyche and as a natural endpoint of the liberal paradigm. This version of fascism is not about nationalism or politics but a metaphysical and psychological dominance.
  3. The Fear and Attraction of the Fascist:
    • Dugin ties the figure of the "fascist" to Orwell's concept of ultimate fear in 1984 (the rats gnawing on the protagonist’s face). He suggests that this "fascist" archetype is humanity’s ultimate fear, but also its creation. Through the liberal pursuit of freedom and individuality without tradition or moral grounding, humanity paradoxically summons this archetype.
  4. Sadism and Psychofascism:
    • Dugin connects this new "fascist" with the sadism described in the works of the Marquis de Sade. The new fascist is not a political figure but a sadistic force, cold, ritualistic, and inevitable. Liberalism, by denying traditional moral and metaphysical structures, creates a society ripe for this "sadistic" force to manifest.
  5. The Role of Victims and Executioners:
    • The "fascist" and the liberal are locked in a tragic cycle of victim and executioner. Liberals, with their "warm" humanism, are unprepared for the cold, ritualistic violence of the fascist. Their refusal to confront the darker aspects of the human psyche makes them complicit in summoning their tormentor.
  6. The Inevitability of Collapse:
    • Dugin foresees a tragic end for liberal civilization. The "fascist" is not a choice or political actor but a metaphysical inevitability—a manifestation of the collective unconscious punishing humanity for its hubris in abandoning tradition and sacredness.
  7. The Allusion to Justine:
    • The reference to the Marquis de Sade's Justine, who suffers endlessly despite her virtue, underscores the futility of liberal ideals of virtue and human dignity in a secularized, amoral world. The "fascists" will enact this "sad and terrible epilogue" as a response to liberalism's failings.

What Dugin Means:​


Dugin is articulating a metaphysical critique of modern liberalism, arguing that its denial of deeper traditions and sacred truths has created a psychic imbalance. This imbalance manifests as an archetypal "fascist" born from the liberal psyche—a cold, ritualistic force that represents the ultimate negation and punishment of liberal ideals. The message is apocalyptic: humanity's unchecked faith in liberal humanism will lead to its own destruction, as the internal "fascist" rises to impose a dark, corrective order.
 

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