M
One of the key aspects of long term inceldom is the underlying feeling that rejection is a forgone conclusion and there is no point at making attempts at romantic or platonic gestures. However, how do we know rejection is inevitable?
I started a thread on the play Cryano de Bergerac and believe it is one of the most relatable pieces of fiction for any man whose either an incel or has a serious case of onetis. In this thread, i will attempt to illustrate why rejection isn't as bad as we make it out to be.
To begin, titular character Cyrano is a French soldier living in 17th century France. In modern standards, he could be seen as an alpha male. He's good at swordsmanship, is a leader and has a gift for poetry. He can be incredibly passionate about things that matter to him. He has loads of confidence to boot. However, he has a flaw that haunts him:his nose. It is bigger than average.
The second main male character is named Christian. He's the Chad of the story. He's incredibly handsome. Doesn't't seem to be a bad guy. His flaw is his lack of confidence.
Finally, the Stacy of the story is named Roxanne. Mostly calling her a stacy cuz she fits the trope.
In the next section i'll analyse each characters relationship with the other 2.
I'll start with Cyrano and Roxanne. Basically, standard onetis on Cyrano's part and Roxanne has no clue. Biggest hurdle is the fact that Cyrano's nose kills his self esteem. He really does live up to that qoute that men fear being laughed at more than anything.
On the flip side, Christian and Roxanne like each other. But Christian is shy so he can't man up for his life.
The dynamic between the two men is actually a total subversion of the average love triangle. Cyrano and Christian don't actually hate each other. In fact, cyrano actually vows to protect Christian as a favor to Roxanne. Their relationship actually fuels much of the story and is the main thing I want to dissect.
I started a thread on the play Cryano de Bergerac and believe it is one of the most relatable pieces of fiction for any man whose either an incel or has a serious case of onetis. In this thread, i will attempt to illustrate why rejection isn't as bad as we make it out to be.
To begin, titular character Cyrano is a French soldier living in 17th century France. In modern standards, he could be seen as an alpha male. He's good at swordsmanship, is a leader and has a gift for poetry. He can be incredibly passionate about things that matter to him. He has loads of confidence to boot. However, he has a flaw that haunts him:his nose. It is bigger than average.
The second main male character is named Christian. He's the Chad of the story. He's incredibly handsome. Doesn't't seem to be a bad guy. His flaw is his lack of confidence.
Finally, the Stacy of the story is named Roxanne. Mostly calling her a stacy cuz she fits the trope.
In the next section i'll analyse each characters relationship with the other 2.
I'll start with Cyrano and Roxanne. Basically, standard onetis on Cyrano's part and Roxanne has no clue. Biggest hurdle is the fact that Cyrano's nose kills his self esteem. He really does live up to that qoute that men fear being laughed at more than anything.
On the flip side, Christian and Roxanne like each other. But Christian is shy so he can't man up for his life.
The dynamic between the two men is actually a total subversion of the average love triangle. Cyrano and Christian don't actually hate each other. In fact, cyrano actually vows to protect Christian as a favor to Roxanne. Their relationship actually fuels much of the story and is the main thing I want to dissect.
Last edited:
