Eremetic
Neo Luddite • Unknown
-
- Joined
- Oct 25, 2023
- Posts
- 3,776
Overall, women care about their social standings. A lot, in fact I would wager it stifles their creativity to an immense degree, but more on that in a bit.
Blacks are extremely conformist, to the point they root out undesirables pretty quickly, which is why black nerds are an extremely uncommon occurrence. Their women select against those traits more often that not and there's a greater pressure to fit in. Whites, conversely, value individual merit and often put "great men and women" on a pedestal, which doesn't bode well for the annoyingly conformist blacks who see any kind of success (give or take one or two of them) as "losing street cred". This of course is a generalization and successfully black people do indeed exist, just to a lesser degree. Most great cultural movements propagated by then often times, involves white (or sometimes Jewish) handlers whereas nominally white movements like hardcore punk, or black/death metal, tend to have none of that and are diy from the ground up ventures.
To conclude, women and blacks are not able to create anything that doesn't involve string pulling from the higher ups where as mostly white male movements tend to be created from scratch. That's also why women, in the arts, usually don't produce anything that is not an imitation of their male superiors and women don't want to be seen as "too different" because they value their social capital much more than men do. Likewise with blacks while they may set cultural standards, none of it's truly grassroots and often financed by their racial betters.
Blacks are extremely conformist, to the point they root out undesirables pretty quickly, which is why black nerds are an extremely uncommon occurrence. Their women select against those traits more often that not and there's a greater pressure to fit in. Whites, conversely, value individual merit and often put "great men and women" on a pedestal, which doesn't bode well for the annoyingly conformist blacks who see any kind of success (give or take one or two of them) as "losing street cred". This of course is a generalization and successfully black people do indeed exist, just to a lesser degree. Most great cultural movements propagated by then often times, involves white (or sometimes Jewish) handlers whereas nominally white movements like hardcore punk, or black/death metal, tend to have none of that and are diy from the ground up ventures.
To conclude, women and blacks are not able to create anything that doesn't involve string pulling from the higher ups where as mostly white male movements tend to be created from scratch. That's also why women, in the arts, usually don't produce anything that is not an imitation of their male superiors and women don't want to be seen as "too different" because they value their social capital much more than men do. Likewise with blacks while they may set cultural standards, none of it's truly grassroots and often financed by their racial betters.